As the symbol of imperial power, the Hall of Supreme Harmony stood as the tallest structure in all of China during the Ming and Qing dynasties—no other building was permitted to surpass its height. The hall rises 35.02 metres, or 37.44 metres when including its ornate rooftop decorations. It measures 63.96 metres in width and 37.2 metres in length. Seventy-two pillars, arranged in six rows, support the vast roof. The gates and windows are intricately embossed with motifs of clouds and dragons.
Inside the hall, the floor is laid with specially fired bricks, later soaked in tung oil and polished to a deep sheen. At the heart of the hall, elevated on a two-metre-high platform, stands the imperial throne—crafted from sandalwood and encircled by six thick, gold-lacquered pillars, all painted with dragons. The golden throne itself is covered in dragon carvings, radiating authority and mysticism.
Flanking the throne are two bronze cranes, a majestic incense burner shaped like an elephant, and tripods styled as mythical beasts. The hall’s interior is dominated by dragons, creating an atmosphere of solemnity and awe.
Suspended from the centre of the ceiling is a design of two dragons playing with pearls. These glass ornaments, painted with mercury, are steeped in legend. One pearl, it was said, could detect usurpers of imperial power—and if someone not descended from Emperor Huang Di claimed the throne, it would drop from the ceiling and strike them dead.
Inside the hall, the floor is laid with specially fired bricks, later soaked in tung oil and polished to a deep sheen. At the heart of the hall, elevated on a two-metre-high platform, stands the imperial throne—crafted from sandalwood and encircled by six thick, gold-lacquered pillars, all painted with dragons. The golden throne itself is covered in dragon carvings, radiating authority and mysticism.
Flanking the throne are two bronze cranes, a majestic incense burner shaped like an elephant, and tripods styled as mythical beasts. The hall’s interior is dominated by dragons, creating an atmosphere of solemnity and awe.
Suspended from the centre of the ceiling is a design of two dragons playing with pearls. These glass ornaments, painted with mercury, are steeped in legend. One pearl, it was said, could detect usurpers of imperial power—and if someone not descended from Emperor Huang Di claimed the throne, it would drop from the ceiling and strike them dead.